
June 27 2004
|
We skipped over the ocean like a skimming
stone, with no sound but the slap of the sea against the tall ship's
hull. Looking up, through the four masts and the billowing sails,
I spotted the stars of the Southern Cross and thought that this is
what it must have been like on a clipper during the Napoleonic wars
- or in a Patrick O'Brian novel. Except it's unlikely that any of
Captain Jack Aubrey's crew would be scanning the horizon wearing a
sunfrock, with a strawberry daiquiri in one hand and a dinner menu
in the other.
Later, as I climbed to the crow's nest, my biggest
worry was not the vertiginous rope ladder but whether my cellulite
was visible to the onlookers below. I hauled up the mizzen staysail
(with help) and, as sure-footed as a toddler, clambered onto the
bowsprit netting - to do a bit of sunbathing.
Fortunately, this was not one of those "join
the crew" sailing holidays, where you don't get any rations
unless you swab decks and heartily heave ropes all day. Raising
the sails was nothing more than a photo opportunity and the only
time I was in serious danger of pulling a muscle was when I twisted
round to put a little more suncream on my back.
It's a very emotional experience, sailing in a tall
ship and Star Flyer is very tall indeed. With four masts, topping
226 feet, Flyer and her twin sister Star Clipper, are the tallest
true clippers ever built. Mikael Krafft, a 58-year-old Swede, built
them and their big sister, Royal Clipper, a dozen years ago, fulfilling
his dream of bringing clipper sailing to the modern traveller.
Star Flyer holds 170 passengers, 70 crew and a parrot.
Krafft insists there is one on each ship. Ours was called Celeste
and was a shameless flirt, strolling seductively up the arms of
the male passengers and ignoring all the women. We were a thoroughly
cosmopolitan ship, with passengers from nine nations. The urbane
Ukrainian captain, Yuri Kushenko, obviously in love with his ship,
had a crew drawn from 24 countries, but communication didn't seem
to be a problem for anyone, least of all in the tropical bar, after
dinner, where the crew provided homegrown entertainment. Everything
drew riotous applause, from the inspired dance moves of Fabian,
the Swedish watersport instructor, to Thai bar manager Ramon's unforgettable
My Way.
The days' events and revelries were benignly supervised
by cruise director Peter Kissner, nine years on Star Flyer, whose
nightly talks on maritime history made him the man with all the
answers.
Open seating and casually cool dress was the rule
in the dining room, where single travellers knew that there would
be no shortage of invitations, should they wish for some company.
At dusk, each day, everyone gathered on deck for the
ritual of departure to the musical accompaniment of Vangelis's soaring
film score for 1492: Conquest of Paradise. The first time
it happened, as we left Phuket, still weary from our long flight,
we all found it rather moving. By day four, however, everyone had
begun to draw up lists of other possible sailing soundtracks to
send to Mikael Krafft. Handel's Water Music? Vaughan Williams's
Sea Symphony? A scot suggested The Skye Boat Song.
Anything but Vangelis every night.
Star Flyer sailed the Andaman Sea, north from Phuket,
towards the islands of Ko Surin national park where, snorkelling
offshore, I gazed at the brightest and most varied coral I have
ever seen. Passing Ko Surin Tai, we kept a respectable distance
from a village os sea gypsies (Chao Le) who live in stilt houses,
shunning the outside world. Star Flyer is the only foreign-flagged
ship among Thailand's marine park islands. Thus, we saw no other
large ships during our week, just the occasional ferry or fisherman's
boats.
A night's sail south and after swimming and snorkelling
off an achingly beautiful beach, we climbed to the top of the impressive
rock formation on Koh Similan island and looked down on Star Flyer,
resting delicately at anchor. The talk that evening, as we sailed
away to the inevitable Vangelis, was of the "it can't get any
better than this" variety. But it did. We've all dreamt about
the perfect desert island but never believed it truly existed. And
then Ko Rok Nok appeared on the horizon.
It was the colour of the sea I noticed first - ranging
from electric blue near the shore, to rich plum above the coral.
The sand was neon-white and circled banyan, wild rubber, cashew
and fruit trees. But best of all, no-one was there. No buildings.
No other boats. Silence. As our small group stepped ashore, it seemed
that if there is such a thing as an "appropriate" way
to invade the pristine peace of the ultimate desert island, this
was it.
The longest overnight sail south brought us to the
Malaysian island of Langkawi. It was a splendid day onshore, gliding
over the rainforest by cable car and then zipping through the mangrove
swamps to a colony of wild sea eagles. The only time we returned
to civilisation was on the tourist island of Ko Phi Phi. The crowds,
the packed streets and the buzzing of boats in the harbour came
as a shock.
Roger Moore is a frequent Flyer guest and, like us,
he sailed through Phang Nga Bay, with its dramatic limestone islands,
stepping ashore at the place where he'd filmed The Man With
The Golden Gun - now known as "James Bond island".
No-one recognised him. Probably because they were all looking out
to sea: Star Flyer is the superstar around here.
|